Tag: writing

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Joseph Dante4 Comments

I don’t have much to post here this week because I’ve been busy working on writing things and spending less time just scouring the internet. Hopefully I’ll have things to post about my writing soon. Anyway, enjoy!

  1. I stumbled across the artwork of Baran Sarigul. Love when metaphors and symbols become real and lush like this. Particularly here and here.
  2. Writer Jonathan Franzen has notorious unpopular opinions and one of these is being stubbornly opposed to all forms of social networking. The thing is, he’s already a well-known writer and he doesn’t even know (or has to know) a thing about it. Roxane Gay wrote this excellent post that pretty much encapsulates my opinions as well.
  3. Infamous Latina writer Isabel Allende visited my alma mater and discussed her books, the writing process, language, her family, her idea of being a stranger in a strange culture, and feminism. Charming and outright hilarious woman.
  4. My friend Nikki recently discovered the website Least Helpful, which seeks out the internet’s least helpful (and most hilarious) product reviews. Just take a glance at those reviews of Animal Farm. Do people like this actually exist on this planet?
  5. Here is a short list of recommended books for teenagers who want to be better writers. I’ve only read His Dark Materials, but this seems like a pretty decent list (The Shadow of the Wind is sitting on my bookshelf though!).

The Small Things and the Big Things

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This week, I spent some time with Melissa, dear friend and fellow writer, and we went to the same Barnes and Noble I was talking about a few weeks ago. Apparently, I’m not going crazy because there have been articles now where the stores are actually stocking less and less books. I wasn’t looking for anything in particular, but I managed to pick up Other People We Married, a short story collection by Emma Straub that I was somewhat surprised to see (maybe I’ll tweet Emma and tell her how it was right in the front of the store, in the “new fiction” section), and Melissa got me The Brief Wondrous Life of Oscar Wao (Junot Díaz is one of her favorites). We  also had a very nice breakfast together and talked about our current writing projects. She has been mostly working on fairly large projects, while I’ve been working on small things. It got me thinking about my own bigger, more involved long-term projects I’ve had in my head for a while.

Here are some of those long-term projects:

  1. A coming of age novel. Probably the one I have thought about the most over the years, and the one most likely to happen eventually. I have names for the characters I want to write about and short backgrounds on who they are, as well as the title for the novel itself. I have scraps of conversations I want them to have and recurring symbols and images to flesh their world out. What I don’t have: what kind of point of view I want to use (first-person or third? alternating between characters?) and the central conflict or main plot thread that will tie everything and everyone together.
  2. A children’s book. My family thinks I have the capacity to write one of these (or a series of these) over everything else. I definitely have the gist of a story written down somewhere, but it’s nothing fleshed out yet. Hypothetically, it would read something like a cross between The Phantom Tollbooth and The Little Prince in that it will have an imaginative world with curious characters, and hopefully can be enjoyed by both children and adults alike due to it being a story with both simple language and underlying symbolism. The main issue with this one is the fact that I think it may be too morbid or mature for children. But I know there are plenty of strange books out there like that anyway (see: anything by Roald Dahl, mostly).
  3. A short story collection. It’s the form I’m used to. I’ve written an online collection before called Letters for Burning. Short fiction is something I’ve always been naturally drawn to and I love writing it.
  4. An epic, sprawling novel with a light touch of magical realism or mythology. I’m not sure I can handle the “epic” and “sprawling” parts, but I’d like to experiment with this. I’ve written short stories that read like this, so who knows. I don’t have any ideas for it yet though.
  5. A novel that is more like interconnected stories about a community of characters. I guess this one would be in the vein of something like Winesburg, Ohio or A Visit From the Goon Squad. I like this idea quite a lot because it’s like writing short stories, but with recurring characters, themes, and timelines. No idea for anything yet, but I think maybe it would involve a gated community based on the one in which I live and how the families and their surrounding eccentric neighbors come to relate to each other.

Names and Pseudonyms

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I’ve never really felt particular attachment to my first or last name, which is something I try to avoid mentioning around my dad, even though I’m pretty sure he knows how I feel about it. Maybe it’s because I just don’t enjoy being named after someone else at all – I just don’t like the concept of being a namesake. Maybe it has something to do with the fact that I still feel like a teenager in that I always want to be my own self, my own distinct personality outside of family ties (or any ties, really), and I find it strange at times to be a part of a family with a lot of shared identical names. Maybe it’s also the very simple fact that I just crave originality.

For those who don’t know this already, Dante isn’t my surname – it’s actually my middle name. “Joseph Dante” is the writer pseudonym I’ve chosen for myself. I had ideas about completely reinventing my identity and coming up with something entirely new, but I ultimately went down this road instead. It’s simple enough, yet it also sounds writerly. It has some kind of commanding presence, despite my understated tendencies. My middle name is a literary allusion too, which probably helps, although it’s probably not the one you’re thinking of. My mom didn’t actually name me after the Medieval Italian poet, but rather the protagonist of the novel The Count of Monte Cristo, Edmond Dantès. She was so smitten with the character at the time that she decided I had to have it. So I guess this actually makes me both a namesake and a reference. I’m really glad she decided to do that though because she was particularly adamant about avoiding having a son that’s a complete copy. I’m content with the Dante part.

I started thinking about my real name and my writer name and what they both mean to me after reading this fantastic essay by Kathleen Alcott. Unlike myself, Kathleen comes from a family of writers and feels a very special affinity for her name. I can’t help but feel slightly jealous of her in these regards. I’ve also been thinking a lot about names and how they relate to our sense of identity in terms of my own fiction – it was just recently, in fact, that I sent out a coming of age story to an up-and-coming online literary journal about a boy who feels so little attachment to his name and real identity that he actually starts to forget it entirely. He creates all of these aliases for himself for comfort yet he continues to feel so completely detached from all of them that he starts speaking his own language. I’ll be sure to let you all know about that story when it finds its proper home.

Ode to the Paper in My Hands

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I had a pen pal from New Zealand when I was in the seventh grade, but I don’t really remember a thing about him. I figured I must have just treated the whole thing like another assignment for school. It’s funny how, looking back on that, I ended up going on to build so many relationships like that anyway – something I would’ve probably completely ignored before. Now, having friends that I’ve kept in contact with from all over (the U.K., Singapore, Australia, and yes, even New Zealand), it’s quite different. And it grew different quite fast.

I started writing notes to my friends in high school, even if we saw each other regularly. We wrote to each other when we didn’t have any work in class to do, or when we were bored. That was when I also started writing letters to these other friends across the sea. It’s even stranger now, how we’re always hooked up and stuck in the clouds, how the internet has become so entirely ubiquitous – we are always attached, but only just hovering. Only just glancing and skimming through. When you pull out of the stream for a while, you really do look forward to having a message on paper in your hands. You look forward to an earnest conversation. You sit down, gather your thoughts, write them down, and send them out. And you wait. You wait for a while too, and it seems like a century in comparison to all the comments, messages, tweets, and reblogs happening all at once.

It seems almost nostalgic, the letter-writing, even though it wasn’t long ago and despite the fact that I still do it. I still keep pen pals anyway (I’m writing to my friend Thea right now, from Wisconsin) even though it really could be instantaneous now – you really could just send an email. But I think there is something to be said about taking that time and waiting. Waiting a week or two in anticipation for a response, and having a quiet, intimate conversation develop in between the spaces. Especially now, in 2012, when you can feel so entirely detached and alone, despite all the fast-speed connections going on around you. It’s hard to really listen to anyone with all the noise.

The Best Thing of All

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I have a simple question for you: What is the best thing you’ve written?

I’ve been asked this before, but I always find myself unable to respond. Was it the short story I won an award for in college? Was it the first time I ever got paid? Was it the unfinished, self-indulgent fantasy novel I let my friends read in pieces on the bus ride home? Was it the children’s story I made out of construction paper for my mom when I was just a kid? Was it that even more macabre retelling of the Cinderella story? Was it a random personal journal entry that I wrote in a fit of angst late one night and never let anyone else see?

I’m never sure, and it doesn’t help that I’m always changing. It doesn’t help that I’m always reading and writing, and most of all: going back and revising. The books I like are always changing and the way I write is always changing. My creative writing teacher in high school called me a Romantic (not lower case, not the same thing! she says), a creative writing professor in college thought I was reading too much Virginia Woolf, another professor appreciated my newly discovered minimalism. I’m like a literary chameleon, and I’m always confused how anyone can find something they call a “voice.” I seem to be unable to settle into a style or a genre. I can’t get comfortable or cozy with what I’m working with. I want to write essays, journal entries, poetry, short stories, children’s books, adult fiction novels; I want to play around and laugh, but sometimes I want to unsettle and creep around; I like to dance around in tangents and I like to cut it straight down the middle. I never feel cohesive because each new opened document sits by itself and doesn’t want to have anything to do with the others. My issue has never really been the actual writing process, but just figuring out where to get started with all the sorting and rearranging I have to do.

Am I just a curious wanderer or am I really completely lost?

Maybe this question isn’t so simple if you write a lot, but I’ll still leave it out there. Or let’s rephrase it like this: Is there any particular piece that keeps coming back to you?