Forget Your Nerves

I have been typing and typing, but no words. Numbers instead. Little robot doing repetitive tasks. The nerves are dead. Open your hands for me. They’re too soft. I can almost feel the blood. They might make nice replacements.

In November, I attended the Miami Book Fair with an old friend from college. We had the same creative writing professor summers ago, Mr. John Dufresne, who had a new book out. It was hot and wet as we walked the barricaded streets, but never rained. There were crowds of people, which would normally send me running, but the knowledge that they were there solely for books and writers was more of a comfort. We had nutella crepes in the makeshift food court and freshly squeezed lemonade. I got some new books for $5.

Book haul:

bookhaul2

I forced my friend to go to a queer poetry panel with me. It was hosted by Reading Queer. The room was packed. People had to stand. Looking around, there were wings inside my chest. There were fantastic writers on the panel, like Eduardo Corral and Maureen Seaton, who had a poem published alongside me in Pear Noir! #9. They read some of their poems. There was a performance piece that made my head tilt a little. There was awkward laughing and a bottle of champagne.

I was reading the latest issue of Birdfeast and I came across a name that was like an arrow in my brain: Caroline Cabrera. I took to the internet and saw if I could find more. There was more, much more, and even a book of poetry. Of course, this was Carrie from elementary school. I remember. Carrie who always got straight A’s, Carrie who hung out with Julie who also got straight A’s, Carrie who would no doubt become a teacher, and did. Not Carrie who had telekinetic abilities, but she probably should have. I immediately sent her a message and we were able to reconnect. How odd that two Catholic school kids would turn into writers running in similar writing circles, reading and publishing in the same kinds of magazines.

Amidst all the end-of-the-year list-making, I was nominated for my first ever Pushcart Prize. The nomination came from Ghost Ocean. I wonder if I’m allowed to call myself an indie author yet?

Let’s go back to words. Let’s make them routine again, and hopefully they’ll be neighborly to the numbers that have grown into a town. Norton Juster would be proud.

Small Stories, Small Spaces

I am not going to launch into a reintroduction or make excuses because I promised I wouldn’t last time. I will just say things as they are.

A few months ago, I was asked to help read submissions for Keyhole Magazine, which I happily agreed to. They now have a new online portion to the magazine and it’s worth a look. It will be updated periodically.

I’ve been reading small books and messing around with poetry. Most of my thoughts work themselves into short fiction or notebook scribblings or to-do lists. The dregs become the poems.

Vector, issue 2

Three poems of mine will appear soon in the second issue of Vector. One of these poems features a fictionalized version of my sister. If anything, that should sell you. I also noticed that this issue features a lot of writers who also happen to be editors of other literary magazines (Monkeybicycle, Word Riot, Sundog Lit, Untoward). A colorful bunch. Characters from the internet have arrived and we will haunt you.

PANK 9

I am also happy to say that my short piece of fiction, “The Geography of Squares and Circles,” will appear in the print issue of PANK 9. The piece is about a family with very different moving parts, parts separate like the seasons. They exist like islands, and unfortunately, it takes a son’s self-destruction to bring them together.

Sundog Lit, Games issue

Online, I had a fragmented piece of nonfiction appear in the Games issue of Sundog Lit. It’s about growing up, alienation, sexual identity, and video games acting as both a means of escape and a place of solace. It’s probably one of the most personally intimate pieces I’ve published yet. Admittedly, I felt like this wasn’t very different from writing fiction. The themed issue itself was large and fantastic, which the Millions selected as recommended reading.

Going smaller now: I have a short short in Ghost Ocean (in which I also do a reading for you) and a piece of Twitter-sized fiction in Nanoism. They are sad, of course, but also maybe a bit surprising.

My sister is trying to write a story about one of her boy band concert experiences and her professor wants her to show, don’t tell. Of course. So I offered her a first line: “We were hugging and sobbing.”

Mom has found an old, unfinished dollhouse in the garage that we’re going to put together. As a hobby, she used to build sets from pieces. Looking at all of the small furniture and knickknacks scattered on the table, I am anxiously waiting to see what kind of place I will call my own.

Let’s Play

It has been far too long. I promise that will be the last time I write that on here. Fortunately, I do have things to say.

Mostly, I’ve been writing for myself. When are you not, you might ask. Well, let’s be more specific: I have been writing in my notebook and none of it has been fiction or poetry. It has been purely for cathartic purposes. Not a shooting up, but a shooting out. If I don’t get a euphoric sparkle or some kind of cleansing, I don’t bother with my scribbling. I throw my pen like a dart at the window.

Book food has been taking up most of my time. Look here for a sample. There is music and movies too. My body wants to consume rather than create. The hunger will pass, and I’ll be back to throwing things up instead. Eat desperately, regurgitate. Repeat.

I got my contributor’s copy of the newest issue of Pear Noir!:

Pear Noir!, Issue 9

Pear Noir!, Issue 9 Contributors

I had a poem in it that I’m still fond of. I always wonder how long that feeling will last. It’s also a poem that my family appreciated. This is a momentous occasion. I’m no longer a teenager, but I always feel like an enigma to them. My mom reminded me of how I’ve taken to using more personal writing as fiction. It’s not real, but she knows where it comes from.

I also received these postcards from some of the writers:

Pear Noir!, Issue 9 Postcards

Over at ReadLearnWrite, I wrote about newer ways we are telling stories. It got me thinking again about how publishing is changing, how our storytelling media are changing, how we are all responding. It can be both exciting and confusing; perhaps the best time to get messy and experiment. Want to make a video game? Go for it! The tools are right there. Want to create a fictional diary through Youtube videos? What’s keeping you?

More experimentation: In just a week, I’ll be flying out of Florida to see my significant other. I’ll be vanishing off the map even more cleanly than usual. Perhaps you don’t know this already, perhaps you do, but I am somewhat of a recluse. I feel like a baby who doesn’t know anything outside the nest. This is new and exciting, but I’m not nervous. I don’t plan on turning my relationship into a character for you to read. This is not my notebook, and I don’t want it to be. My wings are still wet and lack the muscle.

Carousel #16

  1. Perfect for the holidays, here is Emily Dickinson’s recipe for gingerbread.
  2. Special thanks to my dear friend Caitlin for this find: Tori Amos talks about how poetry has inspired her and recites “Lady Lazarus” by Sylvia Plath. Very eloquent and moving interview.
  3. The lovely people at Foxing Quarterly are looking for submissions for their next issue. Deadline is the new year! Get to it!
  4. My sister has asked me time and again if I will ever get a tattoo for myself. The main issues is that I never really could decide on what I would get, but this serotonin tattoo is a distinct possibility. Maybe that’s something that will happen in 2013, who knows.
  5. This is refreshing (but also very miserable) to see: writer Jonathan Evison does a breakdown of the money he has earned throughout the years as a novelist. In the end, it is still very nice to see how he finally did catch a break, after all that time.
  6. And of course, this carousel wouldn’t be complete without end-of-the-year lists! Here is the Year in Reading series over at the Millions, which is being updated regularly.
  7. And, via BuzzFeed, here is a list of writers and the best books they read in 2012. Note: not necessarily books that were published this year, just good books that were memorable to them.
  8. Finally, the Atlantic compiles a list of the worst words of 2012.

The Weather Sleeps and the Nights Stay Awake

This year has been both fast and quite strange. The weather is cooling down for once and being consistent with its pleasant breezes, which never happens during the “winter” holidays in Florida. Usually it is sweltering and uncomfortable and I’m unable to wear all the jackets I want to.

I started being brave. I sent out my writing to all different places. Now I can’t stop. I’ve written essays, articles, short stories, poetry. I got published both online and in print publications. I got paid sometimes for this, which was exciting. I’ve received contributor’s copies. I’ve made a lot of new writer friends that I wish I could meet in real life. Maybe someday. For now, it will have to be letters and emails and tweets.

My friend Kelsey has been putting together an online magazine that features interviews with all kinds of artists. She has been rolling out a lot of them lately. You can read it here. You should also read Thistle Magazine because it’s gorgeous.

Speaking of gorgeous magazines, here is the inaugural issue of Foxing Quarterly:

If you look closely, you might see something special. Hint: Notice the books.

The first issue features my poem, “Settling on a Freckled Shoulder.” There was even a release party at a bookstore in Austin, Texas to celebrate. Music, readings, food. I really wish I could have gone. But I will let you all know where you can get your hands on a copy once I get mine. The cover is by Jim Rugg.

I also put together another mix tape to go with this peaceful weather and I hope you like it:

The Week the Weather Slept from josephdante on 8tracks Radio.