Writing from Home

Home has always been more strange than familiar.

This is a video clip I found while going through old stuff on my computer today. It shows my sister throwing rocks into the lake by our house. You can hear Nana laughing. I’m also laughing to myself right now because the clip is actually labeled “WhatWeDoforFuninFlorida.mov” in my videos folder.

I make fun of Florida a lot. I was born here and I’ve lived here all my life. It’s quite a strange place to live, to be honest, if you don’t know anything about it outside of your occasional trip down to Disney World (or any of the other theme parks) or to Sanibel Island for the nice beaches. Although, if you watch the news enough, you might know something about how often people get murdered too. The perpetual heat makes people do crazy things, I think. I also live in one of the most popular counties (and attended one of the most overcrowded universities), so it is the very definition of hot and crowded.

Karen Russell, author of Swamplandia!, often uses Florida as fodder for her fiction, spinning it into her own mythology and an eccentric ensemble of characters. I write about it sometimes too. I write about neighbors and neighborhoods a lot, and hurricane parties. I remember writing a short story once about a gated community where the neighbors all gather outside after a hurricane has passed them over. That’s one unique experience that I’ve lived through quite a few times. It’s an interesting experience seeing all the people gather into the streets – sometimes people you hardly know at all – and sit down together to share some lunch, games, and conversation.

Other than that, I write about escape too. I think about leaving. Really, there isn’t much here to see besides all the housing communities, shopping plazas, and miles and miles of sprawl. I sometimes wonder how things would’ve been different if I grew up in a city in New York instead, which is where my parents are from. How different it is there. I wonder if I would’ve grown up into a writer at all. I say this because, as a child, boredom and an overactive imagination were a potent combination, and Florida – despite how much I pick it apart – has proven to be the perfect place to grow something like that. New York would’ve made the process almost too easy, maybe, for something like that to happen. Maybe all the color and culture would’ve been too much – there would’ve been less reason for me to write as a kid because the stories would be happening to me instead of me having to make them up for myself.

Edit: I received a comment about this post elsewhere discussing how I was implying that people who come from the city are more likely to have a weak imagination, which is obviously not true. Plenty of great writers come from such environments and I didn’t mean to insinuate that. This post is more speculation about my own personal trajectory.

Swimming Through the Cesspool

I was having a conversation with a game developer friend of mine recently (aspiring – still learning the ropes, and there are many of them) about the problem with stagnation in the video game industry. It’s sort of funny how often you see a lot of people talking about these enormously successful game franchises with such blatant contempt – even gamers themselves who actively play them. A lot of what is being churned out again and again by these immense companies is the equivalent of completely forgettable action movies, he says to me. Where are the other genres? Where are the games that are trying to push the medium forward? How will games ever be taken seriously if they keep resorting to formulas and tired tropes that seem to cater mostly to twelve-year-old boys (or men who think like them)?

Although the games industry has its own set of problems to confront, I don’t think this one is particularly unique. Because, just like all other forms of media, there’s always going to be copious amounts of entirely forgettable, expendable trash. Most of it will be mindless escapism because that’s usually what people want when they sit down with a piece of entertainment – an enjoyable respite from reality. A lot of it will also be safe and rely on formulas because people who sink so much of their time, money, and energy in creating it obviously want to see it get something back. Familiarity is often the ideal because there’s less chance to offend and challenge the audience. There’s less risk-taking because creators are just too afraid (especially if they’re aspiring) or too comfortable (if it works, why not keep milking it?). Movies and television suffer from this issue too.

But I get it. It’s easy to get lost in the cesspool sometimes and forget that there is also incredible art out there too. I think it’s extremely important to point out what things need to change in all media in order to make any progress (in the case of my friend’s problem: why aren’t there more black protagonists in games?). These challenges need to be acknowledged. But it’s not enough to just talk about it – we also need to make our own books, movies, games, and share them with others as much as possible. I think it’s much more important to focus specifically on what you enjoy most (and what you’re good at) and to never apologize for these passions. If there’s a relatively unknown book or movie or game that you’ve fallen in love with, tell your friends about it! Spread the love. Help make it seem worthwhile and get it the recognition that it’s due. Don’t just criticize – create as much as you can yourself. If you have a friend like I do that needs some help getting the word out, share it with anyone who you think might give a damn.

Carousel #4

  1. I came across the story of Joyce Carol Vincent, a 38-year-old woman from London who died alone at home and whose skeleton wasn’t discovered until three years later. It’s horrible to think how this could possibly happen, and probably happens a lot more than we think. I think the most awful part for me is the fact that she was wrapping Christmas gifts when she died – it’s clear that she cared for some people in her life enough and thought they cared for her, but  how mistaken she was in the latter.
  2. An online acquaintance of mine, Swankivy, made a video about frequent grammatical mistakes sometimes even writers and well-read people can make. Check it out – you may be surprised by what you didn’t know.
  3. I discovered the fantastic slice-of-life full-color comics of Melinda Boyce. So lovely and charming. She first drew my attention when she did a drawing of Anaïs. She also has a Kickstarter project where you can get copies of her comics.
  4. Aubrey Plaza, an actress several friends of mine have fallen in love with, is now working on a young adult novel. My sister and I only really know her as Julie from Scott Pilgrim vs. The World. I wonder if her characteristic snarkiness will be a part of that high school experience she describes. I know it was a part of mine!
  5. Writer Edan Lepucki is starting a new column for The Millions in which she will be answering letters from writers. She’s asking people to send in questions. Seems pretty useful!
  6. Nobel and Pulitzer Prize-winning author Toni Morrison spoke about how her life isn’t interesting enough for a memoir. Kind of shocked, since I’m sure anything she writes would be worth reading, regardless. Always inspiring.
  7. I came across this article on how people’s brains are stimulated by reading good fiction. Among the observations made are: how reading affects multiple, critical areas of the brain, how vivid imagery and metaphors stimulate the sensory cortexes (and not cliches), and how reading novels is an excellent way to improve one’s empathy and understanding of the world. I’m not entirely surprised by any of these results, but it’s always nice to have scientific evidence for support.

Carousel #3

I don’t have much to post here this week because I’ve been busy working on writing things and spending less time just scouring the internet. Hopefully I’ll have things to post about my writing soon. Anyway, enjoy!

  1. I stumbled across the artwork of Baran Sarigul. Love when metaphors and symbols become real and lush like this. Particularly here and here.
  2. Writer Jonathan Franzen has notorious unpopular opinions and one of these is being stubbornly opposed to all forms of social networking. The thing is, he’s already a well-known writer and he doesn’t even know (or has to know) a thing about it. Roxane Gay wrote this excellent post that pretty much encapsulates my opinions as well.
  3. Infamous Latina writer Isabel Allende visited my alma mater and discussed her books, the writing process, language, her family, her idea of being a stranger in a strange culture, and feminism. Charming and outright hilarious woman.
  4. My friend Nikki recently discovered the website Least Helpful, which seeks out the internet’s least helpful (and most hilarious) product reviews. Just take a glance at those reviews of Animal Farm. Do people like this actually exist on this planet?
  5. Here is a short list of recommended books for teenagers who want to be better writers. I’ve only read His Dark Materials, but this seems like a pretty decent list (The Shadow of the Wind is sitting on my bookshelf though!).

The Small Things and the Big Things

This week, I spent some time with Melissa, dear friend and fellow writer, and we went to the same Barnes and Noble I was talking about a few weeks ago. Apparently, I’m not going crazy because there have been articles now where the stores are actually stocking less and less books. I wasn’t looking for anything in particular, but I managed to pick up Other People We Married, a short story collection by Emma Straub that I was somewhat surprised to see (maybe I’ll tweet Emma and tell her how it was right in the front of the store, in the “new fiction” section), and Melissa got me The Brief Wondrous Life of Oscar Wao (Junot Díaz is one of her favorites). We  also had a very nice breakfast together and talked about our current writing projects. She has been mostly working on fairly large projects, while I’ve been working on small things. It got me thinking about my own bigger, more involved long-term projects I’ve had in my head for a while.

Here are some of those long-term projects:

  1. A coming of age novel. Probably the one I have thought about the most over the years, and the one most likely to happen eventually. I have names for the characters I want to write about and short backgrounds on who they are, as well as the title for the novel itself. I have scraps of conversations I want them to have and recurring symbols and images to flesh their world out. What I don’t have: what kind of point of view I want to use (first-person or third? alternating between characters?) and the central conflict or main plot thread that will tie everything and everyone together.
  2. A children’s book. My family thinks I have the capacity to write one of these (or a series of these) over everything else. I definitely have the gist of a story written down somewhere, but it’s nothing fleshed out yet. Hypothetically, it would read something like a cross between The Phantom Tollbooth and The Little Prince in that it will have an imaginative world with curious characters, and hopefully can be enjoyed by both children and adults alike due to it being a story with both simple language and underlying symbolism. The main issue with this one is the fact that I think it may be too morbid or mature for children. But I know there are plenty of strange books out there like that anyway (see: anything by Roald Dahl, mostly).
  3. A short story collection. It’s the form I’m used to. I’ve written an online collection before called Letters for Burning. Short fiction is something I’ve always been naturally drawn to and I love writing it.
  4. An epic, sprawling novel with a light touch of magical realism or mythology. I’m not sure I can handle the “epic” and “sprawling” parts, but I’d like to experiment with this. I’ve written short stories that read like this, so who knows. I don’t have any ideas for it yet though.
  5. A novel that is more like interconnected stories about a community of characters. I guess this one would be in the vein of something like Winesburg, Ohio or A Visit From the Goon Squad. I like this idea quite a lot because it’s like writing short stories, but with recurring characters, themes, and timelines. No idea for anything yet, but I think maybe it would involve a gated community based on the one in which I live and how the families and their surrounding eccentric neighbors come to relate to each other.