“What I Miss Most About Hell” by Eugenia Leigh “When I Was Straight” by Julie Marie Wade “American Sonnet for My Past and Future Assassin” by Terrance Hayes “Ellen West” by Frank Bidart “St Zelda’s” by Allison Pinkerton “Woman of the Century” by Claire Polders “The Falling” by Michael Schmeltzer “Saudade” by Traci Brimhall “Self-Portrait as Vessel for Debris” by…
“32 Names for Future Hybrid Tulips” by Traci Brimhall “Magic City Ruse” by Ariel Francisco “The Field of Rooms and Halls” by Richard Siken “Kitchen Coven” by Avra Elliott “Vows (for a gay wedding)” by Joseph O. Legaspi “Adolescence” by Nin Andrews “Sea Church” by Aimee Nezhukumatathil “Essay on Craft” by Ocean Vuong “Science and Magic: Wind in Seven Hayao…
Our Dead Behind Us by Audre Lorde “What Kind of Times Are These” by Adrienne Rich “Myth” by Muriel Rukeyser “Sewing Feathers” by Jennifer Givhan “Tangerine Trees & Little Bags of Sugar” by Su Cho “The Letter” by Mary Ruefle “Little Exercise” by Elizabeth Bishop “Postfeminism” by Brenda Shaughnessy “Echo” by Raymond Antrobus
“The Third Stage” by Kendra Fortmeyer “Stepping Over My Shadow and Stepping Into Another” by Adam Clay “Dis Mem Ber” by Joyce Carol Oates, in Boulevard #94 “We May Be Like Fish” by Anna Lea Jancewicz Issue #19 of the Adroit Journal Poetry, February 2017 issue The daily poetry found at the Rise Up Review, for these politically turbulent times…
“The Village with All of the Boyfriends” by Zachary Doss “The Murder Sounds” by Amy Silverberg “How to Spend Your Time Before the Renegade Planet Makes It All Go Dark” by Justin Lawrence Daugherty “Grief as Mythos” by Brandon Taylor “Let’s Not Begin” by Maggie Smith “How the End Begins” by Cynthia Cruz “Ten Step Tulpamancy” by Kia Groom “Beach…